entertoly

Our Work

A look at the control rooms, equipment and stage settings we work in, and the kinds of organisers who ask us to run their live shows.

From the gallery

Inside the control room and on the stage floor

These scenes show the gear, the steps and the settings behind our live productions. They follow a show from the first cable run to the programme going out.

Vision mixer desk during a live cut

Vision mixer desk during a live cut

The operator works the mixer against a wall of camera monitors, calling each shot in time with the performance. A clean programme monitor sits at the centre for constant checking.

Rack and cable run for a temporary gallery

Rack and cable run for a temporary gallery

Racks are loaded, labelled and cabled before the crew arrives at the venue. Clear labelling makes fault finding quicker once the show is running.

Camera position at the front of house

Camera position at the front of house

A camera operator waits at the stage barrier with intercom on, ready to follow the next cue. Positions are agreed with the stage manager in advance.

Streaming engineer monitoring the output

Streaming engineer monitoring the output

The engineer watches encoder health, bitrate and the live feed as audiences join. A second screen shows exactly what viewers see.

Graphics operator loading lower thirds

Graphics operator loading lower thirds

Names and captions are checked against the running order before doors open. The operator fires each graphic on the director's call.

Remote guest joining by video link

Remote guest joining by video link

A contributor appears from another location on a tested link. Audio and picture are checked before the guest is brought into the programme.

Who we work with

The organisers and audiences our services suit

Our work suits anyone who needs a live show cut, streamed or broadcast by a calm, organised gallery team. We work from Durham and travel to venues and festival sites. These are the kinds of customers who ask for our services. Each has different needs from the gallery.

  • Concert promoters

    Promoters who want a live show cut across several cameras and delivered to screens or streaming platforms with one crew managing the whole chain.

  • Festival organisers

    Festivals needing a temporary gallery, stage coverage and a reliable programme output across a busy site and several days of performances.

  • Venues and theatres

    Venues that stream or screen events and want a gallery set up once, tested, and operated by an experienced crew when shows go live.

  • Broadcasters and producers

    Television and streaming producers who need a control room team to run switching, graphics and replay inside a larger production.

  • Conference and stage event teams

    Event teams who need clear multi-camera coverage of speakers and panels, with graphics and remote guests brought into a single programme.

  • Community and arts organisations

    Groups staging performances who want their event streamed to a wider audience without building a broadcast team of their own.